[vc_row][vc_column][vc_column_text] farbwerk e.V. Zwei Interventionen im öffentlichen Raum mit Menschen mit und ohne Handicap Eine große Gruppe Menschen mit und ohne Handicap bewegte schwarze Stühle durch die Dresdner Innenstadt und ein weiteres Mal durch die Straßen von Dresden-Prohlis. Sie bauten Stuhltürme und schufen merkwürdige Szenarien im öffentlichen Raum. An verschiedenen Plätzen machten sie Halt. Ein Zuschauerraum entstand. Jede*r...
[vc_row][vc_column][vc_column_text] MIRROR MARCH The performance with 24 man-high mirrors, 4 flag bearers and a musical composition by André Obermüller for Elisabeth Rosenthal at the March-Chimes, processes historical patterns of military movement, marching bands, demonstrations, group movements and political gatherings into a sculptural movement. Starting at the Kunsthaus Dresden and the Städtische Galerie Dresden, the movement led through Dresden‘s...
[vc_row][vc_column][vc_column_text] Sculptural movement in public space A group of dancers appear in public space. They move with waterbottles adjusted to their bodies. This is a fragile situation since the gaspressure inside the bottles increases through moving. If this pressure gets too strong the corks of the bottles pop off and the water extrudes. Moving cautiously the group...
[vc_row][vc_column][vc_column_text] Borders as the Freedom of Dissenters “Borders as the Freedom of Dissenters” is a spatial installation with audiovisual documents as a situational transformation of the "Mirror March", a performance in public space with mirror bearers, flag mask bearers and a marching bell player. The “Mirror March” is reminiscent of a marching band as well as parades or...
[vc_row][vc_column][vc_column_text css=".vc_custom_1590415012482{margin-bottom: 50px !important;padding-bottom: 50px !important;}"]"A sense of future, as her installation "Zukunftsruinen" so evocatively signals, is a thing of the past. Like the disparate group of figures it assembles, a kind of bedraggled salute to the techno-utopian visions of the twentieth century." Catherine Nichols in the catalogue FALL - an exhibition by Svea Duwe with...
[vc_row][vc_column][vc_column_text]Ornamental surfaces, which are mounted on each other, interlock and overlap, form a space-embracing structure. The different linear structures were stitched from black carbon fibre bundles and were then hardened with epoxy resin. The hard, clearly structured patterns partly merge into unstitched shapeless strands. The result is a juxtaposition of stable, defined forms and delicate, freely...
[vc_row][vc_column][vc_column_text]Eleven artists were invited by Zentralwerk in 2016 to work on the photo series "Raumung" with the former banquet room of the large graphic arts company VEB "Völkerfreundschaft" Dresden. The photos were always taken from the same angle. For the photography I rearranged the found things and furniture and placed two projections in the room. I...
[vc_row][vc_column][vc_column_text]The artist photographed this defective signboard on the south coast of Turkey. It points the way to a luxurious holiday resort. These resorts usually have gigantic dimensions, corresponding to the onslaught of tourists, many of whom come from Germany. The explosive nature of the current political situation in Turkey mow leaves many of these resorts...
[vc_row][vc_column][vc_column_text] Die gestohlene Zeit "Die Zeit zurückholen? Ja, ich glaube, dass ich das schaffen kann! Auf jeden Fall! Ich schaffe das!" Für 11 Wochen begaben sich 17 inhaftierte Männer der JVA Zeithain auf eine kurze und doch sehr zeitintensive Reise in die Welt des Theaters, um eine Geschichte zu erzählen, in welcher selbst das Unmögliche möglich wird...
The actress and the camera are both protagonists. Mostly just the backhead and the shoulders are to be seen from the actress, while the camera follows her solely over bridges and through subways of Wroclaw and through the corridors of a house. A subtle action between the protagonist and the camera takes place and creates...